Why did 18 police officers attend a super-chill summer show?
They arrived in hats, uniforms, and fluorescent vests, then stayed for the entire event. Is this a sign of things to come?
It was a hot day, a nice day, a perfect day. In Tauranga’s Wharepai Domain, I was in my happy place. The sun was shining, the music was loud, the drinks were cold and the food trucks were placing fried eggs on top of brisket buns. As Kora warmed things up ahead of the first performance by The Roots here in 20 years, I headed to the bar.
On my way back balancing two chilled beers, I encountered a different vibe. Instead of happy festival punters, I walked into a wall of uniformed police officers. They entered the festival site then stood in semi-formation near the stage. In total, I counted 18 of them – more than I’ve seen at any other outdoor music event, ever.
It felt ominous, like they’d received notice that something was about to go down. So I put down my drinks, grabbed my phone and snapped this quick photo…
Up until that point, the show had been friendly and chill. I didn’t encounter a single bad vibe. Friends danced in the sun. Hugs were shared in the front rows. There were no problems that I could see, and yet those police stayed there surveying the 4000-strong crowd for the entire evening. Later, they stood at the gate, watching us depart.
Why were they there? Great question. I’d love to answer it. Yet, when I messaged the NZ Police media team to ask was going on that day, why so many police officers were there, what issues they’d encountered and whether they’d made any arrests, I was told they wouldn’t respond to requests from “niche publications”. LOL.
(Considering the state of local media, rest assured I have registered my disapproval of this completely ridiculous stance.)
So, instead, I guess I’ll have to try and fill in some blanks. There were, from what I can see, no issues at Summer Haze. This report from the Bay of Plenty Times contains only rave reviews. “An incredible band to be able to witness,” is how local singer Hollie Smith describes the day. A “once in a lifetime” concert is what another fan says.
But, behind the scenes, tension between police and promoters is bubbling away. Just before Christmas, a major local promoter cancelled four Juicy Fest dates – including one in Tauranga – and postponed their Timeless Summer Tour over what he called an “intentional” effort to stop the tour. In Auckland, he claimed police had pressured the North Harbour Stadium to cancel their contract.
They also said this:
“Juicy Fest has faced tough opposition from authorities and police in running our event in New Zealand”.
On the same day Juicy Fest pulled its shows, Laneway revealed it was recalling all tickets sold to those aged between 16 and 18 over its own licensing issues. Hearing documents reveal police opposed the festival’s liquor licensing application over multiple issues, including underage intoxication, barriers and security.
So, some thoughts.
Are police cracking down on local music festivals?
Are they putting on a show of force to make sure music festivals know bad behaviour won’t be tolerated?
Have they decided headlines like these need to stop?
Did they think the same kind of thing was going to happen at The Roots show?
Is that why they sent 18 uniformed officers there?
Or were they bored and just wanted to enjoy the show?
Again, I’d love to tell you, but my lil’ Substack is too “niche” to get those answers.
There might be another way. In their response, NZ Police told me I’m free to make an Official Information Act request. So that’s exactly what I’ve done, asking for all communications regarding Summer Haze, Juicy Fest, the Timeless Summer Tour, and any other music festival the police plan on attending this summer to be sent my way.
So, instead of sending me a quick statement about why NZ Police sent 18 officers to a chill summer show, I’m now going to take up much more of their time as they collate every internal email, text message, phone call and meeting note for me to scour through to get the answers I’m after.
Official Information Act requests need to be responded to within 20 working days. So, by the time Laneway comes around, I should have my answers. And so will you.
Kia ora! Happy New Year! Thanks for being here. This is a reader-supported newsletter focusing on the Aotearoa music industry. If you’d like to support my “niche” publication to do more stories like this, the best way is to become a paid subscriber. The more that do, the more I can do. You can do that by pushing this blue button the next time you’re in front of a laptop…
Everything you need to know.
In interviews around her excellent recent album Soft Power, Fazerdaze’s Amelia Murray has spoken out about a former partner, detailing a power imbalance, age gap issues, pressures to start a family and a dispute over the songs they wrote together. “I was disappearing,” she tells Rolling Stone NZ in a new interview. In that story, her ex is asked for comment, and he disputes Murray’s description of their time together. “I disagree with her portrayal of our relationship,” he says. “It looks like a PR story Amelia feels is necessary to promote the album we made together. I don’t want to criticise or bring our private life any further into the public sphere. I wish only to move on.” You can read the full story here.
The latest inductees into the Rock and Roll Hall of Fame have only just been announced, but The Atlantic ($$) thinks the whole thing should be canned. “Rock can’t be distilled in 25-year batches like some sort of rare whiskey,” writes Tom Nichols. “Rock is more like … well, sex. Each generation has to experience it for themselves; later, each generation thinks they invented it; eventually, we all realize that no generation can fully explain their feelings about it to the next one.”
As soon as the headlines about Neil Young cancelling his headlining appearance at Glastonbury had spread around the world, the rocker reversed course and announced he’d play the festival after all. He’d blamed BBC’s “corporate control” of the festival for his decision, but now it seems he’ll be headlining the event alongside Rod Stewart. Umm…
Speaking of festivals with ageing line-ups, Boston Calling has released what has to be the most backwards festival line-up I’ve seen yet: Avril Lavigne, Fall Out Boy, Sheryl Crowe, Vampire Weekend, Public Enemy and Sublime. Also, umm…
If you’re after live music, there’s heaps happening out there. My picks are blues-rock trio The Schizophrenics who kick off a nationwide tour with Buzz at Whammy on Thursday, Becky Hill and Luude at Golden Lights on Friday, and Fisher, who’s playing a massive show at Victoria Park on Saturday night. Also of note: Nia Archives has moved her January 26 show to the Powerstation.
I’m still catching up on all the albums I missed last year, so I really enjoyed this compilation from The Guardian of all of their 2024 five-star album reviews. So far, I’m loving the laidback gangster rap of Pataka Boys’ Thug From Amritsar, and The Neon Gate, a new album from Nova Scotia indie-rockers Nap Eyes. Here’s ‘Dark Mystery Enigma Bird,’ which sounds like 2005 in the best possible way…
Why were there so many police there? Institutional racism.
Yeah would be keen to find out. In my memory though there was always a decent police presence at BDO, although they didn’t all stand around in a big group the whole time.
I’ve worked at many events and festivals in both NZ and Australia and this does seem a bit odd. Keen to see if it’s related to the refusal of licences for Juicy Fest, or a wider change in approach to public events.